Satoshi | director.creator.perfectionist.
Video
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video fileSATOSHI | The Reel
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2015 |
Director of Photography
Video |
Imperial Law / Visions Imperial Law |
|
2015 |
Director of Photography
Film |
The Enemy of the Good David Birner / DB Films |
|
2014 |
Director of Photography
Film |
Partner in Crime Dan Delglyn / Mirrored Vision |
|
2013 |
Director of Photography
Film |
Servus Ishq Sandeep Kumar / Aichholzer Film & Sandeep Kumar Films |
|
2012 |
Director of Photography
Film |
Onatah Alexander Bruckner / Bruckner & Aleksiev |
|
2012 |
Director of Photography
Commercials & Industrials |
Chevrolet - Make it happen Daniel Kovács / Chevrolet |
|
2012 |
Director of Photography
Film |
Fanmail Julia Effertz / Independent |
|
2012 |
Director, Director of Photography
Film |
The Lost Teddy Satoshi / SATOSHI IMAGINARIUM |
|
2011 |
Director of Photography
Film |
In the Dark Shivantha Fernando / Snowflake |
|
2011 |
Director of Photography
Film |
Frühling Lola Basara / Basara Film |
|
2011 |
Director, Director of Photography
Commercials & Industrials |
Conrad »Technikparadies« Satoshi / Film Factory |
|
2011 |
Director of Photography
Film |
Postmodern Times Julia Frick / Deadseabird Film |
|
2011 |
Director of Photography
Video |
Plaided / Oh My Dog Nick Prokesch, Liesa Kovacs / Plaided |
|
2011 |
Director of Photography
Commercials & Industrials |
Meinl »Muckefuck« Daniel Kovács / Meinl |
|
2011 |
Director of Photography
Commercials & Industrials |
Rondo Webspot Thorsten Mozer / Rondo / derStandard |
|
2011 |
Director, Director of Photography
Film |
Völlerei Satoshi / Independent |
|
2010 |
Director of Photography
Film |
Curio City Julia Frick / Deadseabird Film |
|
2010 |
Director, Director of Photography
Commercials & Industrials |
energía hermosa Satoshi / Wien Energie |
|
2010 |
Director of Photography
Television |
Late Night (pilot) Peter Frank / Phoenix Media |
|
2010 |
Director, Director of Photography
Event |
Botanica live in Vienna Satoshi / Botanica |
|
2010 |
Director of Photography
Film |
Spielende Tote Thilo Fischer / TFJM |
|
2010 |
Director, Director of Photography
Film |
Die Reise Satoshi / Independent |
|
2009 |
Director, Director of Photography
Film |
Tsukiji Satoshi / Cube Library |
|
2009 |
Director, Director of Photography
Film |
Lady's Club Satoshi / Independent |
|
2009 |
Director of Photography
Film |
Träume töten Felicitas Sonvilla / Independent |
|
2009 |
Director of Photography
Film |
Don Rudolfo Christian Dohr / Bild[er]folge |
|
2008 |
Director, Director of Photography
Performing Arts |
Matatu - Live Concert Satoshi / Matatu |
|
2008 |
Director, Director of Photography
Performing Arts |
Azure Flight - Live Concert Satoshi / Azure Flight |
|
2008 |
Director of Photography
Commercials & Industrials |
WUK bicycle garage Nick Prokesch, Liesa Kovacs / Independent |
|
2007 |
Director of Photography
Video |
Viena Loco / Superfly Various / Viena Loco |
|
2007 |
Director of Photography
Film |
Nicht ich Gerd Jonas / GeKo Film |
|
2007 |
Director of Photography
Film |
Totsterben Gerd Jonas / GeKo Film |
|
2007 |
Director of Photography
Film |
Splitter Gerd Jonas / GeKo Film |
|
2007 |
Director, Director of Photography
Film |
Wushu - The old new style of KungFu Satoshi / Independent |
|
2007 |
Director of Photography
Event |
Switch reloaded Gerd Jonas / GeKo Film |
Education
Year | Qualification | Where |
---|---|---|
2008 | Multimedia | Graphische |
Equipment
My Equipment/Kit: Canon EOS 5D Mark II, Canon EOS 5D Mark III
I can use: ARRIFLEX SR3, Sony F5 & F55, Various Hd Video Cameras, Various Hdslrs, Arricam Lite, Arricam Studio, Canon Eos 1D Mark Iv, Arriflex 235, RED Epic MX, Phantom Flex 4k, Arriflex sr2, Arriflex 435, Arriflex 416, Blackmagic Production Camera 4k, Red One MX, Canon EOS 5D Mark II, Canon EOS 5D Mark III, Red Epic Dragon, Arri Amira, Arri Alexa, Canon Cameras
About me
I'm a London based award-winning DoP and director.Story is always the most important.
Filmmaking is always teamwork.
Cinematography depends on the story. There is no right way of composition, no right way of lighting, no right way of movement - no right way at all.
Technique and equipment are supportive tools and facilites to achieve the right way. They are chosen carefully each time to serve the story.
Additional information:
I shot award-winning commercials as well as short movies. Many of them are screened at numerous festivals.
I'm half-Austrian and half-Japanese. My origin is Vienna.
I speak:
German (native)
English
Japanese (native)
French (beginner)
Spanish (beginner)
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Director of Photography |
---|---|
Job Titles | Director of Photography (DOP), Cinematographer, Director |
Years in industry | 6+ years |
Work Permits | EU |